Friday, August 21, 2015

JLB A4451B3

Borges: "But I think the whole root of the matter lies in the fact that when a writer is young he feels somehow that what he is going to say is rather silly or obvious or commonplace, and then he tries to hide it under baroque ornament, under words taken from the seventeenth-century writers; or, if not, and he sets out to be modern, then he does the contrary: He's inventing words all the time, or alluding to airplanes, railway trains, or the telegraph and telephone because he's doing his best to be modern. Then as time goes on, one feels that one's ideas, good or bad, should be plainly expressed, because if you have an idea you must try to get that idea or that feeling or that mood into the mind of the reader. If, at the same time, you are trying to be, let's say, Sir Thomas Browne or Ezra Pound, then it can't be done. So that I think a writer always begins by being too complicated: He's playing at several games at the same time."